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Welcome to the Bookshelf Detective, a site packed with tricks and tips for readers and writers of children's literature. Thank you for visiting!
Cheers,
Kim Tomsic
Showing posts with label agent. Show all posts
Showing posts with label agent. Show all posts

Sunday, August 23, 2026

5 Agents Who Are Open to Query Letters Right Now!


Literary agents open and close their query inboxes. That way they can catch up before they accept another round of submissions. Here is who is open now (and a couple who are closing in a few days)


SALLY KIM

WHEN: She’s open now!

WHAT: Here's her wish list

WHO: Sally Kim at Andrea Brown Literary Agency

WHAT: Authors or Author-Illustrators, children's fiction and nonfiction, middle grade novels, picture books, chapter books, graphic novels  (she's not the best fit for rhyming).

How: Query Tracker



KARLY DIZON, FUSE LITERARY

WHEN: *Dang! She just closed. Check back in September* I added Sally Kim above since Karly just closed. 

WHO: Karly Dizon of Fuse Literary (an agency founded in 2013)

WHAT: Karly represents picture books, middle grade, and young adult. She also wants non-fiction picture books that add the heart, soul, and story of fiction. I want the person, event, retelling to come to life. She’d also like Asian/African/Latin mythology retelling/twists to be told simply yet beautifully for the picture book market but also in more depth with adventure and turn-the-page tension for middle grade and young adult. Have a picture book that’ll make me laugh? Learn? Both? Yes, please. She wants more smart, ingenious kids who utilize STEM to tackle their problems/achieve their goals; a YA contemporary romcom, “Make me swoon, cry, and yell at the pages with all the depth and complexity that our young adults experience today.”; also do you have a MG or YA SFF—if so, it needs to have a strong voice from the first page with an immersive and captivating plot and world.

ABOUT FUSE LITERARY: Fuse Literary is a boutique, collaborative hybrid literary agency founded in 2013 (formerly known as Foreword Literary). It represents fiction and nonfiction authors and illustrators across all age groups, blending traditional publishing methods with digital media, self-publishing networks, and emerging technologies. What does hybrid mean? Beyond selling books to traditional publishers and handling subsidiary rights (film, foreign, audio), they connect clients with cover designers, publicists, and digital marketers.

WEBSITE: Although Karly represent PB-YA, other agents at Fuse Literary represent other genres. https://www.fuseliterary.com/about-fuse/

 

Jessica Berg Rosecliff Literary


When: Open Now

Who: Jessica Berg, founder of Rosecliff Literary represents adult fiction and nonfiction. No matter what you write and no matter who you plan to query, do yourself a favor and follow Jessica Berg on Instagram! Her advice on writing, submitting, creating a synopsis, etc. = spot on!

@jessica__berg

What: Jessica has wish lists for spooky season, for winter, etc. And she says to pay attention, because her cravings change. You can find her up-to-the-minute wish list on her Instagram. You can read the other not exactly up-to-the-minute details at MSWL.

How: Query Tracker https://querytracker.net/query/jessicaberg/

 


Haley Warrington: the Booker Albert Agency

WHEN: She posted that she is open now until August 31, 2026.

WHO: Hayley is a Junior Literary Agent at the Booker Albert Agency. What’s great about a junior agent is that you get to grow your careers together!

WHAT SHE REPRESENTS: YA-Adult. On Instagram, Haley noted, “I'd really like to get some YA fiction on my list.” Please query on Query Tracker if you are a YA author in the following genres, - YA Mystery/YA Thriller;  YA Fantasy; YA Romance; YA LGBTQ+; YA Horror!!  She also represents (but is more selective) Adult, NA, YA Romance, Historical Romance, Fantasy, Thriller, Paranormal, Horror, Mystery, Suspense, LGBTQ+. Others at her agency represents children's through adult fiction—focusing heavily on young adult (YA), middle grade (MG), sci-fi, fantasy, horror, women's fiction, and romance (including contemporary, historical, and small-town).

ABOUT: Haley can be found @hals.war on Instagram. She posts a lot of details about her taste and what she’s reading, so check it out!

Her agency is also on Instagram @bookeralbertagency and Founded in December 2012, the Booker Albert Agency is a hands-on agency, providing marketing and editorial advice, and we strongly believe in taking on clients for their whole career. We adhere to the AALA's canon of ethics. 

WHERE TO QUERY: Query Tracker: https://querytracker.net/query/QueryHaley

WEBSITE: Booker Albert Agency website is: https://www.thebookeralbertagency.com/our-agency.html

 

 

Sharon Belcastro: Belcastro Literary Agency

WHEN:  Now until …. Sharon has a fairly quick response rate. On Query Tracker it shows that she is responding in an average of five days! Most agents average of 8-12 weeks.

WHO: Sharon is the founder of Belcastro Literary Agency. One of my favorite quotes comes from her back in 2021 when she said, “As a female engineer I am looking for middle grade, YA and PB about girls in STEM.” Query Tracker just updated her openings to include picture books though I   don’t see that listed on her primary wish list unless perhaps nonfiction pb. On her current wish list, she has NONFICTION and YA Fantasy, Science Fiction, Action Adventure, Contemporary, Magical Realism, Mystery/Thrill, and Horror.

HOW: Query Tracker https://querytracker.net/agent/4921

 

Miriam Cortinovis at Ki Agency

Miriam Cortinovis at Ki Agency (Miriam goes by @chamomeriam on Instagram) says they are currently OPEN to queries. The Ki Agency was founded in 2011. They are a boutique London-based literary and scriptwriting agency founded in 2011 by Managing Director Meg Davis (they are not currently open to scriptwriters). It represents authors across publishing, TV, film, theatre, and multi-media, focusing strongly on genre fiction and speculative works.

FAQ:   Does it matter if you live in a different country than your agent.

            No.

MIRIAM’S TASTE: In fiction: BIPOC Literature, Fantasy, LGBTQ, Middle Grade, Science Fiction, Young Adult. “Miriam defines themself an omnivore in regard to Science Fiction and Fantasy, never turning down an original unique piece with a strong voice—so never say never! That being said, a speculative element is required, even if abstract/literary. Miriam also enjoys representing most age targets, from Middle Grade and up to Young Adult (for which they also accept contemporary works without a speculative element) and Adult. To browse a visual MSWL you can visit this Instagram post, while for a more detailed one you can follow this link.”

Complete details at MSWL.

Where to Query: Query Tracker (she has a fast – 23-day average response rate!)

You’ll prepare and post on Query Tracker your first 10 pages, letter, and synopsis using https://QueryTracker.net/query/miriamc. According to their website, Ki Agency is a dynamic literary agency providing management for writers in all media and most genres. They also say, “The Ki Agency is a boutique literary and scriptwriting agency with a focus on genre fiction.”

ABOUT: “Born and raised in Italy, Miriam Cortinovis (they/she) moved to Chicago as a teenager and has since earned a BA in Creative Writing and an MA in Writing & Publishing from DePaul University. After more than a year agenting at ArtHouse Literary (USA), they joined the amazing team at the Ki Agency in 2025, continuing to expand and support their list in everything and anything speculative.”

About the Ki Agency: www.ki-agency.co.uk

 

 KEY

PB= Picture Book

MG= Middle Grade

YA = Young Adult

GN = Graphic Novel

NA = New Adult

MSWL = Manuscript Wish List

 

Sunday, June 22, 2025

How Much Money Does an Author Make



How much money an author makes is a layered question and usually involves the author's agent who has negotiated the sale and served in many important capacities. The agent will receive/has earned a 15% cut.  To simplify the following information, I'll talk about the publisher and author, but please know that the agent is a very important part of the mix. 


When an author writes a book and sells it to a publisher, the publisher pays money in "advance" of the book's publication. That means that the publisher will pay the author a sum in advance of the actual publication date. Once the book is published and is sold at bookstores, the author begins earning royalties from each sale (typically 10% of the book's list price). Those royalties are tallied, and a royalties report is provided to the author every six months. Since the author already received the "advance" money, they will not get an additional check until their advance is earned out.  Let's break that down.  

A debut picture book author who is not a celebrity, not an influencer, and who does not have a


substantial platform might receive an advance of approximately $1,000 - $3000 from a small indie publisher; or they might receive somewhere between $5000 and even (super-wild without a platform) $50,000 from a traditional midsize or big five publishing house. The 10% royalties are split equally between the author and the illustrator (5% each).  Therefore, let's imagine that the author received an advance of $10,000, and the list price of that picture book is $18.99. Every time a normal copy of the book (not a book club copy, not an ebook, not an audiobook etc. because those have different royalty rates) is sold, the royalties are $1.89 (10% of 18.99). The ten percent is split between the author and the illustrator (5% each), therefore the author earns around ninety-five cents (.95) per copy sold.


That means that approximately 10,526 copies of the book will need to be sold to earn out the advance. After that, the author will receive royalty checks for any copies sold beyond the 10,526. Of course, I mentioned at the beginning that this is a layered conversation. Foreign rights, book club sales (like Scholastic Book Club or Junior Library Guild), and other factors also help earn out the advance, but those are a conversation for another day.  

While you are here, I want to push the topic further. Discussing money often feels taboo. I don’t ask my neighbors how much they earn. But publishing is different. Transparency in publishing and those awkward money conversations can be very important.

This five-year-old article in Publishers Weekly  still feels relevant. It features author L.L. McKinney and notes that she created the hashtag #PublishingPaidMe (around June of 2020) as “an outgrowth of conversations she’d had with friends about Black authors historically being underpaid.”  The conversation took off, and 


McKinney and author Tochi Onyebuchi (author of Riot Baby and Harmattan Season) created The Transparency Project.

To properly understand the background, various publishers’ responses, and what inspired more than 2,000 authors to share their pay on this public Google doc, check out the article in  Publishers Weekly.

To see the spreadsheet, go here.

 


Do yourself a favor and read books by L.L. McKinney such as A Blade so Black and A Dream So Dark . You can visit her website or your local bookstore!

Also, WOW! Check out books by Tochi Onyebuchi such as his upcoming, Racebook, “an original memoir in essays that interrogates how identities are shaped and informed in online spaces and how the relationship between race and the Internet has changed in his three decades online.” You can also find a list and links to his publications here.


Wednesday, July 5, 2023

4 Success Stories - How a Children's Book Writing & Illustrating Conference Launched the Careers of Four Authors and Illustrators

Conferences are kingmakers. It’s true! Talk to published authors and illustrators, and you'll discover that more often than not an attendee’s career moved into hyper-drive after taking part in a conference. A conference is where you meet people with a shared passion, and you develop new neural pathways for craft. Ideas bubble to mind, and important connections are made. Many publishing hopefuls met their agent or editor attending breakout sessions, getting critiques, or selecting the right seat at an open-table luncheon. 


Illustration courtesy of Brooke-Boynton Huges
Illustrator Brooke Boynton Hughes attended SCBWI's International conference in California more than a decade ago. She entered her portfolio in the illustrator showcase, didn't win but got noticed. In fact, she signed with agent Marietta Zacker and landed a book deal that same year! Furthermore, Brooke signed up for the one-on-one portfolio review. She received feedback throughout the conference weekend and learned nuanced details about craft. When she returned to the event the following year (2013), she walked away as the Portfolio Showcase Honor Award winner and the Mentorship Award winner! In 2014, she received the Portfolio Honor Award at SCBWI's Winter Conference in New York. 

    Brooke's success didn't come from one conference. She says, 

I think the most important part about attending conferences is the chance to have one-on-one portfolio critiques and the opportunity to learn about your craft.  I attended six or seven international conferences and three or four regional conferences before I was published and before my portfolio was recognized in the showcase."  
Now her illustrations are published in books with Beach Lane, Disney Hyperion, and Random House.Author turned agent Ana Crespo met her editor, Kelly Barrales-Saylor who was then an editor with Albert Whitman and Co. (she is now an editor with Sourcebooks) during the regional Rocky Mountain SCBWI conference. Ana signed up for a manuscript critique and landed a feedback timeslot with Kelly. After listening to Kelly’s edit suggestions and taking ample notes during workshops, Ana was armed with ideas to improve her writing. Ana went home, reworked and edited her story, then queried Kelly who bought and published The Sock Thief. Ana went on to sell four books to Albert Whitman in a series called JP BOOKS, MY EMOTIONS AND ME. During another conference, she met Alvina Ling Executive Editorial Director of Little Brown Books. Alvina later published Hello Tree, illustrated by Dow Phumiruk.

 

I met my editor, Melissa Manlove of Chronicle Books, at an SCBWI conference, and let’s just say it involved an unofficial scavenger hunt, an Aperol Smash, and a failed pitch. But that failed pitch was part of a connection, and in the end I received a business card and an email address. A year-and-a-half later I worked on the craft points I’d learned at the conference, I worked with my critique group, I read and drafted, and then I sent a query letter about a new manuscript—here’s where I cue the drum roll and build to a frenzy—I got a YES! That’s how I sold the award-winning picture book, THE ELEPHANTS COME HOME. 

If the above three stories haven't convinced you that conferences are kingmakers, here’s one more. Author Martha Brockenbrough met the editor of her debut picture book The Dinosaur Tooth Fairy at a conference. His name - Arthur Levine of Arthur A. Levin at Scholastic (he is now an editor and founder of Levine Querido). Martha says in an interview with SCBWI, “Truly. Every picture book I’ve ever sold has come directly from my time at an SCBWI conference”. Martha has since sold many picture books and highly-praised novels. Her latest middle grade novel, To Catch a Thief, is out now!

Thursday, March 9, 2023

An Inside Look at a Debut Deal

 




When I first entered the publishing world, I was surprised to discover that editors are regular human beings 😊. They eat, they sleep, they have personalized likes and dislikes. I know. I know. I was excited and intimidated, but I learned a lot with my debut sale. By the way, the above photo is a picture of me (wearing the orange scarf), my editor (next to me and in the center), and the HarperCollins marketing team all wearing the cat ears (a gift I brought to the office). 

My debut novel was sold on pre-empt, and no, I didn’t know what that meant when it was happening. I like this definition from Poets & Writers  magazine, “When a publisher wants to preempt [it means] they are choosing to make an offer that will persuade the author’s agent to take a project off the table early. The publisher is grabbing a project they love and avoiding having to compete with other publishers."

Book spinesIn my situation, my agent submitted my novel to a handful of editors, including Maria Barbo of Katherine Tegen Books/HarperCollins. When Maria said she wanted to make an offer, my agent invited her to sweeten the deal in a pre-empt to avoid an auction (an auction is when more than one house bids to buy a manuscript). But before anything was agreed upon, my agent asked me to get on the phone with Maria to see if I thought she would be someone with whom I’d like to work.

 As you can imagine, my head was spinning. I was suddenly in the driver’s seat. Long story short, this was a wise move. Making sure an author and editor have good communication chemistry is key to producing a great book. I asked Maria to tell me about her vision for the manuscript's edits, and since Maria is a genius, I was intrigued and excited about her ideas. As the cliché goes, it was match made in heaven, and we moved forward with the deal.


That's my perspective as the author. But did you notice that Maria's job as the editor was to communicate a clear vision for her editorial direction of my manuscript? If you take a job as an editor with a publisher, you'll have times when you have to compete with other publishing houses in order to acquire a manuscript. Sure, money will play a role in the bidding process but so will your editorial skills and the ability to communicate your vision. Honing these skills now will benefit you as a writer, book doctor, critiquing partner, coach, and as an editor. Even if you decide a career in editing is not for you, as an author you will have a clear understanding of the editor's role which will make you an ideal client to work with. 

Happy writing and editing!

Cheers,

Kim 

 P.S.   Writer Beware is a fantastic website. It's sponsored by the Science Fiction & Fantasy Writers of America. Here you will find a wealth of information including insights on editors and editing, writer’s services, how to avoid schmagents (fake literary agents), and more.

Thursday, September 1, 2016

The Next John Green?



DIE YOUNG WITH ME by Rob Rufus
Clipped from the pages of Simon & Schuster (release date September 20, 2016):

In the tradition of John Green’s The Fault in Our Stars and Me and Earl and the Dying Girl comes the incredibly moving true story of a teenager diagnosed with cancer and how music was the one thing that helped him get through his darkest days.

Punk’s not dead in rural West Virginia. In fact, it blares constantly from the basement of Rob and Nat Rufus—identical twin brothers with spiked hair, black leather jackets, and the most kick-ass record collection in Appalachia. To them, school (and pretty much everything else) sucks. But what can you expect when you’re the only punks in town?

When the brothers start their own band, their lives begin to change: they meet friends, they attract girls, and they finally get invited to join a national tour and get out of their rat box little town.

But their plans are cut short when Rob is diagnosed with a rare form of cancer that has already progressed to Stage Four. Not only are his dreams of punk rock stardom completely shredded, there is a very real threat that this is one battle that can’t be won.

While Rob suffers through nightmarish treatments and debilitating surgery, Nat continues on their band’s road to success alone. But as Rob’s life diverges from his brother’s, he learns to find strength within himself and through his music. Die Young With Me is a raw, honest account of a brave teen’s fight with cancer and the many ways music helped him cope through his recovery.

Pre-order Die Young With Me
  • Hardcover: 400 pages
  • Publisher: Touchstone (September 20, 2016)
  • Language: English
  • ISBN-10: 1501142615
  • ISBN-13: 978-1501142611

Rob Rufus is represented by Shannon Hassan, Marsal Lyon Literary Agency.

Friday, February 6, 2015

Children's Book Writing Workshop with Andrea Brown Literary Agency


 “BIG SUR IN THE ROCKIES”
CHILDREN’S Book WRITING WORKSHOP

May 22-24, 2015
Chautauqua Park in Boulder, CO
Update:  SOLD OUT




On this page:  (1) Why take this workshop (2) Faculty (3) Link for additional info (4) Registration Form

Why join us for this workshop?

For the past seventeen years, writers have gone to the Big Sur Writing Workshops in California for an intensive weekend of working on manuscripts with publishing professionals who are dedicated to helping new writers. Literary Agent and Executive Director of the Big Sur Writing Workshops Andrea Brown and RMC-SCBWI are bringing that workshop to Boulder, Colorado.

The workshops are designed for writers who have a finished or partially finished manuscript that needs critiquing, revisions, editorial help, and guidance. Our workshop provides tools needed to prepare one’s work for publication as manuscripts must be totally polished to sell in this tight market. The format of the weekend program is different from other conferences and workshops. Writers meet and work closely with faculty members throughout the weekend, from agents to editors to authors. The ratio of faculty to writers is mostly six to one or better.

No two writers have the same experience, and it is the unique nature of our workshops that have made them so popular that a large number of attendees return year after year. The number of writers is limited so there is an intimate feel to the weekend and writers get many opportunities to talk, share information and work with each other, as well as the faculty. The weekend is filled every moment with small critique groups, panels, rewriting time, and delicious meals. The faculty are all established book professionals and wonderful people who know how to target weak spots and help writers polish their works because they care about giving back.

We are proud of our over 20+ success stories (see http://bigsurwriting.wordpress.com/faqs/).  Add the magical setting of beautiful Chautauqua Park at the foot of the Rocky Mountains, and we know you will have an unforgettable, rewarding experience. Our goal is to have writers leave on Sunday with the knowledge needed to see their works published.


What makes the Big Sur Children's Writing Workshops unique?

First
, the format of the weekend is different from other conferences and workshops.  Ratio of faculty to writers is mostly six to one or better.

Second, the weekend is limited to 70 writers -- just enough people to share valuable information and not too many so each writer feels special.

Third, the weekend is packed with critique groups, rewriting time, panel discussions, delicious meals, and much sharing of information. Writers devote the entire time to focusing only on their writing.

Fourth, the faculty are all children's book professionals and wonderful people who know how to target the weak spots and help writers polish their manuscripts.


May 22-24, 2015 FACULTY

EDITORS
MELISSA MANLOVE  is an Editor at Chronicle Books in San Francisco. She has been with Chronicle for 10 years. Her acquisitions tend to be all ages in nonfiction; ages 0-8 for fiction. When acquiring, she looks for fresh takes on familiar topics as well as the new and unusual. An effective approach and strong, graceful writing are important to her. She has 17 years of children’s bookselling experience. P.S. Chronicle reads all unagented submissions as a matter of course, but conference attendees will be able to bypass the slush pile and submit directly to Melissa. More information on that will be given to each attendee.


NICK HEALY is a senior managing editor for Capstone, a children’s publisher with headquarters in North Mankato, Minnesota, and offices in Minneapolis, Chicago, and Oxford, England. He has been with Capstone for ten years. For much of that time he was the editorial director for imprints primarily sold into school libraries, but as Capstone’s trade business grew in recent years, his focus shifted. Nick has helped launch two new imprints, Capstone Young Readers (picture books and middle grade fiction and nonfiction) and Switch Press (YA fiction and nonfiction), and he now works exclusively on trade projects. He is also the author of It Takes You Over, a short-story collection that received a 2013 Friends of American Writers Literary Award, and an adjunct faculty member in creative writing at Minnesota State University.    

LITERARY AGENTS;

ANDREA BROWN
is the President of the Andrea Brown Literary Agency, Inc.  Founded in New York City in 1981, it was the first literary agency to represent both children's book authors and illustrators. Prior to opening her own firm, Andrea was an editor at Alfred A. Knopf, and worked in the editorial departments of Random House and Dell. In 1990, she moved her literary agency to Northern California. Her literary agency has sold over 2,000 books to just about every publisher, from toddler board books to serious, award-winning young adult.  Several have been New York Times bestsellers in the top ten list of children’s books.  Author of Writers’ and Artists’ Hideouts: Great Getaways for Seducing the Muse, Andrea has published numerous articles for Writer’s Digest and other publications.  She is the executive director of the Big Sur Writing Workshops.

CARYN WISEMAN is a Senior Agent at the Andrea Brown Literary Agency. She has been with the agency since 2003 and has sold over 250 books. She represents children’s books only:  young adult and middle-grade fiction and non-fiction, chapter books, picture books (fiction and non-fiction). No matter the genre, Caryn is looking for books with emotional depth and a strong voice; excellent writing in a tightly-plotted story; and characters that stick with her long after she has closed the book. In YA she gravitates toward books that make her think and toward books that make her cry; in middle grade, chapter books, and picture books, laughter tends to be the common thread. Caryn holds an MBA from the Anderson School at UCLA, and a BS from the University of Virginia. To learn more about Caryn’s taste or about deals she’s recently represented, please visit:  http://www.andreabrownlit.com/agents.html

JENNIFER MATTSON has been an agent with Andrea Brown Literary Agency for six years, and began working in the children's book industry immediately out of college -- including five years as an editor at Dutton Children's Books and five years as a Books for Youth reviewer with Booklist.  She represents authors and author-illustrators, all audiences and genres, and looks for clients who bring a deep professionalism, an open mind, and a distinctive, well-developed point of view to their work.  Recent sales include verse picture book Still a Gorilla by Kim Norman to Scholastic; verse picture books Tucked in Tight and Rise and Shine by Linda Ashman, to Disney*Hyperion; narrative picture book Good Morning, Squirrel!  Good Night, Bat! by author-illustrator Paul Meisel, to Boyds Mills; and two more books in the middle-grade Cupcake Cousins series by Kate Hannigan, to Disney*Hyperion.  To give a further sense of her book personality, her favorite titles by non-clients include Marla Frazee's The Seven Silly Eaters; anything by Russell Hoban, Arnold Lobel, or Beverly Cleary; Chris Barton's Shark vs. Train; Noel Streatfield's Ballet Shoes; Esther Hautzig's true survival story, The Endless Steppe; and Philip Pullman's The Golden Compass. For more about Jennifer recent sales, please visit: http://www.andreabrownlit.com/agents.html


AUTHORS

DONNA COONER is a former teacher and school administrator, who now teaches future teachers at Colorado State University. Donna is the author of over twenty picture books. She has also written children's television shows for PBS and textbooks for future teachers. Donna’s debut novel, SKINNY, was named an ALA's Best Young Adult Fiction Award, BEA's Young Adult Buzz Book, and a Bankstreet College's Best Children's Book of the Year. Her new book, CAN'T LOOK AWAY, was released this fall and is a Teen Choice Nominee.


ANNA-MARIA CRUM has published one YA science fiction novel, 19 grade school readers for several educational publishers, and has illustrated over 50 books. She’s a three-time Colorado Book Awards finalist, co-hosts the SCBWI Denver Schmooze, and is a board member for the Picture Book Artists Association. For the past four years she has run Plot Doctors with Hilari Bell because they enjoy helping writers with ailing stories—brainstorming about plot problems is like eating dessert first. Anna-Maria lives in Denver with her dog, Bo, who sometimes sneaks into her illustrations.


LINDSAY ELAND knew she wanted to be a writer ever since the fifth grade, when she won an honorable mention for her book What Can You Learn From A Giflyaroo. Now, twenty-plus years later, she is the author of two middle grade novels, SCONES AND SENSIBILITY (Egmont USA) and A SUMMER OF SUNDAYS (Egmont USA) which was a finalist of the 2014 Colorado Book Award and The Hoosier Award. A true romantic, an avid espresso drinker, and a lover of all that can make her laugh, Lindsay lives in Breckenridge, Colorado, with her husband, their four kids, three dogs, one chameleon, one bearded dragon, and the various bears and foxes that venture into their yard. Her next book, SIX TIMES REVENGE (Greenwillow) will release in Summer 2016.

DAVID MEISSNER is an author, educator, and consultant who has developed creative educational programs, written twenty books for the school market, and interviewed dozens of children’s book authors and illustrators for Reading Rockets. David’s first trade book, Call of the Klondike, won SCBWI’s 2014 Golden Kite Award for Nonfiction and was nominated for the YALSA Award for Excellence in Nonfiction. His website provides a free educators’ guide and tells the story behind the book, including his research trip and historical hike from Alaska to Canada. After seven years in DC and NYC, David is now happily settled in Boulder, Colorado, where he teaches Spanish and is the director of International Programs at the Alexander Dawson School.


JEANNIE MOBLEY writes middle grade and YA fiction. Her debut novel, KATERINA'S WISH (Margaret K. McElderry Books), won the 2013 Colorado Book Award, is on the 2014-2015 William Allen White Award Master List, and represented Colorado at the 2013 National Book Festival.  Her second novel, SEARCHING FOR SILVERHEELS released September 2, 2014, and has been nominated to the Amelia Bloomer List for Feminist Literature. When not writing or reading fiction, Jeannie is a mother, wife, lover of critters, and an anthropology professor at Front Range Community College, where she teaches a variety of classes on cultures past and present.


JEAN REIDY is a children’s author and two-time winner of the Colorado Book Award. She’s written six picture books  -- Too Purpley!, Too Pickley!, Too Princessy!, Time Out for Monsters!, All Through My Town and Light Up the Night.  Jean is a frequent presenter on the topics of literacy, picture books and picture book revision. She writes from her home in Colorado and is represented by Erin Murphy of Erin Murphy Literary Agency. You can visit Jean at www.jeanreidy.com.

DENISE VEGA is the award-winning author of six books for kids, from toddler to teen, including her “blog” books: Click Here (to find out how i survived seventh grade) – a Colorado Book Award winner – and Access Denied (and other eighth grade error messages) as well as Fact of Life #31 (Colorado Book Award winner) and Rock On. Her picture books include Build a Burrito, and the award-winning Grandmother, Have the Angels Come? and her latest: If Your Monster Won't Go to Bed (Knopf/Random House, 2017). Denise is on faculty at Lighthouse Writers Workshop, teaching a range of classes on children's books and is a former Co-Regional Advisor of the Rocky Mountain Chapter of SCBWI. She lives in Denver with her family, and can’t stand cheese so hey, no cheese, please. Find out more at www.denisevega.com.


LINDA ARMS WHITE has written 11 published books, fiction and non-fiction, which have won many awards.  Her book I Could Do That: Esther Morris Gets Women the Vote won the prestigious Christopher Award bestowed on media that “affirm the highest values of the human spirit.”   Through SCBWI and Children’s Authors Bootcamp, White has taught hundreds of writers how to write for children.   Her books include Too Many Pumpkins, Comes A Wind, and Cooking on a Stick.

PRICING

• Registration is
$485.00 for SCBWI members and $535.00 for non-members. This includes the entire workshop, plus dinners and lunches from Friday dinner through Sunday lunch. (Breakfasts are on your own). 

• Conference cancellation policy: 75% REGISTRATION REFUND IF CANCELED THREE WEEKS PRIOR TO STARTING DATE.  After that, no refund.

• Registration does not include lodging. Want to stay overnight? Cottages on the grounds of Chautauqua Park may be booked for the weekend through Chautauqua’s Lodging Office. Make your reservation directly at
lodging@chautauqua.com or call 303-952-1611. It’s a holiday weekend, so I advising making your reservation soon.  Four sizes of cottages (efficiency, one-, two-, and three-bedroom) are available starting from $185 per cottage per night, plus 12.3% lodging tax.  All cottages have fully equipped kitchens. For more information, see http://www.chautauqua.com/lodging/reservations/ Book early and mention you are with the RMC-SCBWI workshop.

• Chautauqua cottage cancellation policy: Please verify on your own with Chautauqua lodging for updates on prices and cancellation policy.
  
• If you would like to bring a guest for dinner on Friday evening, extra dinner tickets are $55 per person.  For Saturday evening, extra tickets are $35 per person.

____________________________________________________________________________________

SUBMISSION and REGISTRATION INSTRUCTIONS

1.  Print and fill out the Registration Form at the end of this brochure.
Make your check payable to “RMC-SCBWI” and send with registration form to: "Big Sur in the Rockies Children's Writing Workshop"  c/o Jerilyn Patterson, 1610 Pace Street, Suite 900 BOX #315, Longmont, CO 80504. Your manuscript submission will not be considered until payment has been received.

2.  Submit the first two pages of one manuscript (maximum 500 words) to:
ktomsic@gmail.com with “Big Sur workshop submission” in the Subject line.  Send the submission in the body of the email, not as an attachment.  If sent as an attachment, it will not be read. You will receive notification that your document has been received. If you do not receive notification that your document has been received and is under consideration, please double check email address and resend.

Deadline for submission is April 2015 (specific deadline date coming)

Note: Works may not be accepted if the content falls outside the faculty area of expertise, or if the executive director feels the work and writer would not benefit from attending the workshop. You will be notified as soon as possible, with a full refund of registration fee, should your work not be approved. Notification of acceptance or non-acceptance is via email.  If you have not heard by close of registration, please contact the registrar. 

QUESTIONS: write to  Registrar@RMCSCBWI.ORG

Register early.  Space is limited so we can keep the workshop small for personal attention.

THINGS TO BRING

You will meet with two different faculty members, one leading a first critique group and the other leading a second critique group.  Each critique group will meet twice.  Each critique group meeting will last two hours. 

  • 7 copies of a short manuscript or chapter to work on in your first critique group.  There may be time to work on more than one project, so feel free to bring another manuscript or a different section of the first manuscript. (Think in terms of sections that can be discussed productively in 20-25 minutes; up to five pages usually works well.)

  • 7 copies of a short manuscript or chapter to work on in your second critique group.

  • 5 copies of a query letter, cover letter, first pages or pitch to work on in panel sessions. Check back for more details.

  • Plan to write, so bring works-in-progress and writing equipment.    
Note:  For printing and photocopying, a FedEx Office is located at 2616 Baseline Road, one mile away (east) in the shopping center at the corner of Baseline Road and Broadway Street.

  • A flashlight (for walking at night) and comfortable shoes.  Nearby trails lead into The Flatirons foothills.   

Big Sur in the Rockies Children’s Writing Workshop
May 22-24, 2015

Name __________________________________________________________________
Address_________________________________________________________________
City  ____________________________________  State ___________Zip____________
E-mail address __________________________  (for confirmation and other information)
Phone ( _____ ) _________________________

I am a:   q  RMC-SCBWI member  (Colorado and Wyoming)  q  other SCBWI region’s member  
q  not yet an SCBWI member

$_____ SCBWI member  $485.00             
$_____ Non-SCBWI member  $535.00
$_____ Extra Friday dinner ticket(s) for guest(s) @$55                                   # ___ Friday
$_____ Extra Saturday dinner ticket(s) for guest(s) @$35             #___ Saturday 
               
$ _____ TOTAL

q  Please include vegetarian entree options for me.
q  Please include lactose-free entree options for me.
q  Please include gluten-free entree options for me.

I’d prefer a critique group with writers of (check a maximum of two, i.e., 1 for each of your 2 groups):
      q  Picture books
      q  Early readers and Chapter books
      q  Middle-grade novels
      q  Young Adult novels
      q  Nonfiction
      q  Combination
[PLEASE NOTE:  we’ll do our best, but we’ll be limited by the distribution of workshop attendees.]

q  I have fellow critique group members also attending this workshop.  If possible, please put us in
       different groups.  Names of fellow members: ____________________________________________
      __________________________________________________________________________________

REGISTRATION:  Print and fill out this registration form.  Make your check payable to “RMC-SCBWI” and send with registration form to:  “Big Sur in the Rockies,” c/o Jerilyn Patterson, 1610 Pace Street, Suite 900 BOX #315, Longmont, CO 80504

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