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Kim Tomsic
Showing posts with label query. Show all posts
Showing posts with label query. Show all posts

Monday, September 7, 2026

Limited Time Submission Opportunity for Children's Book Literary Agents Picture Books through Young Adult Novels and also Adult Fiction and Nonfiction

 


Did you finish your book? Here is a list of agents accepting query letters for a limited time. 

I focused on children's books PB-YA, but I also included ADULT FICTION AND NONFICTION agents incase others wandered over to this post!


Silvia Molteni of Peter Fraser + Dunlop

WHO: Silvia Molteni heads of the children’s literature department at PFD.

AGENCY: Her agency, Peter Fraser + Dunlop is one of the longest-established literary and talent agencies in London.

WHEN: Open NOW (I can never guarantee how long an agent’s inbox will remain open)

 

WHAT: Fiction and nonfiction. Here’s what she says, “I am primarily looking for middle grade and YA fiction. I generally gravitate towards voice and character driven narratives, as well as literary fiction and beautiful writing, which I prefer over complex plots and extensive world building.

In middle grade novels, I enjoy contemporary and realistic settings and magical realism the


most. I love clever humour, but I am always keen to read fiction with endearing characters, mind-blowing adventures and stories with lots of heart. That said, I’m open to all genres, including fantasy, horror, dark and Gothic tales in MG. Some personal favourites are Holes by Louis Sachar, The Witches by Roald Dahl, Treasure Island by Robert Louis Stevenson, Meteorite Spoon by Philip Ridley and The Paul Street Boys by Ferenc Molnar.

On the YA side, I’m looking for fiction across all genres, with a preference for upmarket, literary and voice-driven contemporary and coming-of-age stories. I’m currently on the lookout for an original hook in the psychological thriller space, as well as atmospheric horror, sweeping rom-coms and gripping, rebellious dystopian stories. Light fantasy is of interest, while commercial fantasy that involves extensive world building, high word-count or multi-book series is generally not for me. Some examples of YA I’ve enjoyed: We Were Liars by E. Lockhart, Alice and the Fly by James Rice, Speak by Laurie Halse Anderson, The Perks of Being a Wallflower by Stephen Chbosky.

I’m open to original non-fiction books aimed at children and YA – from memoir to manuals, popular science and humorous books.

I’m selectively taking on picture books, both in the fiction and non-fiction space; I’m generally drawn to read-out-loud stories rooted in comedy and heart, compelling and original characters, interactive books and stand-out hooks.

Finally, I’m also open to illustrators’ portfolios, across all ages, whether for graphic novels”

 

HOW: Accepts queries via email.

GUIDELINES: Agency page says, “Please send us the first three chapters (or around fifty pages) of your novel, as well as a full synopsis and a covering letter, with a brief CV of your writing career, if appropriate. For non-fiction projects, please send a detailed proposal, alongside the covering letter and CV.” And they add: “You can submit directly via email to one of our agents, and you can find out about their interests here. Please only submit to one agent. Please either email them or their assistant directly. Please note we do not accept submissions via hard copy.”

Email address: smolteni@pfd.co.uk

 

 (per Query Tracker) you can look up her details here: https://querytracker.net/agent/7315

 

Sahar Kashi

Heirloom Literary


Heirloom’s newest agent, Sahar Kashi, is now open to adult and young adult fiction and memoir submissions! Sahar is drawn to daring work that finds laughter alongside grief, explores mental health and emotional healing, and pushes narrative boundaries. She loves romance woven through immersive world-building and stories that subvert genre expectations. She is especially seeking visionary storytellers who pair commercial insight with an authentic connection to their material.

She’s looking to represent books like Shadow & Bone by Leigh Bardugo, The Fault in Our Stars by John Green, People We Meet on Vacation by Emily Henry, The Summer I Turned Pretty by Jenny Han, The Last Days of California, by Mary Miller, The Glass Castle by Jeannette Walls, Everything I Know About Love by Dolly Alderton, Yesteryear by Stephen G. Eoannou, The Fourth Wing by Rebecca Yarros, The Bright Years by Sarah Damoff, and Best Offer Wins by Marisa Kashino, among many others.

 Visit Heirloom's SHARE YOUR WORK page.


Michaela Whatnall - Dystel, Goderich & Bourret

OPEN NOW (at the time of writing this post!)

WHAT: Michaela is especially interested in whimsical picture books and unexplored perspectives. For MG and YA, they’re interested in all genres, including contemporary, fantasy, science fiction, historical, adventure, horror, and rom-com.


Here are more details: *“Picture Book: I am selectively seeking picture books (text only or text and art) that are either wonderfully whimsical, explore an interesting and previously unexplored topic, or that bring a brand new perspective on a common childhood experience.”

Query them on Query Tracker . https://querytracker.net/query/2328

What else: strong interest in children’s literature, particularly middle grade and young adult fiction of all genres, including contemporary, fantasy, science fiction, historical, adventure, horror, and rom-com. In the adult fiction space, they are particularly seeking contemporary, speculative, and historical upmarket fiction, as well as character-driven, grounded fantasy. They are also open to select narrative nonfiction for both children and adults, graphic novels, and picture books.


Maria Vicente, P.S. Literary 

📅 WHEN: OPENS SEPTEMBER 8, 2026 !

For children’s books, Maria is currently looking for middle grade fantasy novels and illustrated


picture books.

👉 SUBMISSION DETAILS:
Queries should be directed to query@psliterary.com. If the agent you are querying is interested they normally respond in 4-8 weeks. I wish I could promise a reply to everybody, but their inboxes are too full to give everyone a reply and still manage their clients.

WESITE: Submission guidelines can be found here: https://www.psliterary.com/submissions/

Their other agents who also might be open include:

            Madison Potter, Associate Agent

Madison is currently acquiring genre fiction, upmarket fiction with commercial appeal, and non-fiction. On the fiction side, she enjoys stories with dystopian settings that explore human interaction with increasing technology; cozy fantasies with warmth and high fantasies with court politics or moral ambiguity; sweeping romances or those with unconventional pairings, such as slasher romcom or horror romances; and strange, cozy horror. In the speculative space, she is particularly interested in mythical creatures that go against norms or plots that subvert typical tropes. She also welcomes high-concept genre mashups or weird girl fiction Read more at: https://www.psliterary.com/submissions/

            Gemma Paynter, Associate Agent

Gemma is actively acquiring adult fiction and non-fiction that subvert expectations. In non-fiction, she is drawn to narrative projects that bring niche subjects to a wide readership, particularly those that blend memoir with expertise. Her interests include pop culture, pop science, fashion, design, literary commentary, and the history of subcultures and counterculture. In fiction, she loves immersive atmosphere, sharp observation, twisty storytelling, and offbeat wit. She is especially interested in folktale-inspired horror and fantasy, gothic mystery and romance, fantasies featuring mundane magic, puzzle-driven mysteries, and cozy stories that feel hopeful yet grounded, like a Studio Ghibli movie. READ MORE AT: https://www.psliterary.com/submissions/


There are others, too! Check them out at https://www.psliterary.com/submissions/

 

HOW: They only accept submissions via email. Queries should be directed to query@psliterary.com. If they are interested they normally respond in 4-8 weeks. Their inboxes are too full to give everyone a reply.

BONUS INFO: P.S. Literary GUIDELINES Below provide details that might help with other agents you query. Best practice- check each agencies website for guidelines or check the links on Query Tracker.

WESITE: Submission guidelines can be found here: https://www.psliterary.com/submissions/

THere are P.S. Literary's guidelines quoted directly from their page (as of September 1, 2026):

Your submission should consist of the following:


Paragraph One - Introduction:

Include the title and category of your work (i.e. fiction or non-fiction and topic), an estimated word count and a brief, general introduction.


Paragraph Two - Brief overview (this is where you hook us!):

This should read similar to what is found on the back-cover of a published book.


Paragraph Three - Creator’s bio:

Tell us a little bit about yourself and your background.


Sample Material:

If your work falls into the following categories: adult fiction, adult memoir, adult non-fiction essay collection, or children’s fiction and non-fiction, please include the first ten pages of text only (or the full text of fiction and non-fiction picture books) within the body of your email. If your work is illustrated, please include a link to your portfolio or sample art. Otherwise, please limit your submission to just the three paragraphs as indicated.

 

Tuesday, September 1, 2026

Agents Accepting Query Letters for Adult and Children's Books!

 


Update: Elena Giovinazzo is not opening on September 8th; however, Sahar Kashi at Heirloom Literary is now open!

Heirloom’s newest agent, Sahar Kashi, is now open to adult and young adult fiction and memoir submissions! Sahar is drawn to daring work that finds laughter alongside grief, explores mental health and emotional healing, and pushes narrative boundaries. She loves romance woven through immersive world-building and stories that subvert genre expectations. She is especially seeking visionary storytellers who pair commercial insight with an authentic connection to their material.

She’s looking to represent books like Shadow & Bone by Leigh Bardugo, The Fault in Our Stars by John Green, People We Meet on Vacation by Emily Henry, The Summer I Turned Pretty by Jenny Han, The Last Days of California, by Mary Miller, The Glass Castle by Jeannette Walls, Everything I Know About Love by Dolly Alderton, Yesteryear by Stephen G. Eoannou, The Fourth Wing by Rebecca Yarros, The Bright Years by Sarah Damoff, and Best Offer Wins by Marisa Kashino, among many others.

 Visit Heirloom's SHARE YOUR WORK page.


WHO ELSE:  More about the team at Heirloom – buckle up for this powerhouse of KIDLIT superstars!

·       Elena Giovinazzo—Elena (one of the founders) has 20 years of industry experience spanning sales, subrights, marketing, and, of course, agenting.

o   Represents: PB, MG, YA, Graphic Novels, Illustrators, Adult Fiction (and maybe adult nonfiction) – MSWL was spare with details but it lists Nonfiction, Literary, Contemporary, and Magical Realism.

·       Jason Reynolds – THE Jason Reynolds!  His role as founder is leadership, mentorship, and creative.

·       Julia Ermi is the agency manager for Heirloom’s powerhouse clients, coordinating foreign rights and permissions, creating social media content, reading submissions, and generally facilitating the agency’s smooth operation.

·        Sahar Kashi—is a seasoned executive, developmental editor, and producer. She champions visionary storytellers who pair commercial insight with an authentic connection to their material.

HOW - Check out their WEBSITE: Here is their “share your work” link: https://www.heirloomliterary.com/share-your-work


 

Amy Collins at Talcott Notch 


WHEN: Starting on September 15, 2026

Amy Collins will open to query letters on SEPTEMBER 15TH.

WHAT: She focuses on books for adults—non-fiction/ history, historical fiction, fantasy, and sci-fi. You can follow her on Instagram at @bookcrone to keep up to date when she opens and closes her submission inbox.

HOW: Amy Collins submission guidelines: https://talcottnotch.net/submissions/

 

Katrina Lemaire, Corvisiero Literary Agency

KatrinaLemaire is an Associate Literary Agent at Corvisiero Literary Agency


WHEN: Open NOW –
Katrina opened on August 26th (closing date not listed; for agents it is often when the inbox feels too full – Opening and closing for queries is a smart management tool. Agents want to manage their workload and also respect writers by not having the query sit in their inbox for a year).

WHAT: Katrina represents picture book author/illustrators, middle grade, YA, New Adult/Ya Crossover.  Deep-dive details and clarity can be found at MSWL. However here is an overview.

Adult/Crossover New Adult Fiction: Fantasy, Speculative, Eco-horror, Horror, Paranormal, Paranormal Romance, Folklore, Romansty, Dark Academia, Magical Realism, Historical melds of horror, fantasy, and speculative, Occult, Cozy Mysteries, Rom-Coms, Romance, Commercial/Literary Fiction, Upmarket Literary, Soft SciFi, Thrillers

            Young Adult Fiction:

·       Mystery/Thriller: an ensemble of unreliable characters, or the themes that relate to culinary, fashion, art, or academic rivalry with a dash of deep-seated yearning. Locked Room/Whodunnits are welcome. The more messy/complex the mystery/murder the better.

·       YA Fantasy: Developed worlds, lush settings, intricate magic systems (non-western based), characters who are absolutely feral & unhinged (especially when they have a specific motive in mind), villains who are more than just love interests (villains who are fully realized with lots of interesting lore), romance that burns brighter than an eternal flame, creatures & monsters that pose a real threat and have interesting/unique origins, environmental fantasy that blends horror and speculative, soft fantasy that focuses on friendships, romance, and family, dark fantasy that doesn’t shy away from important topics/themes that need more exploration, fantasy that has thought-provoking political systems, and fresh takes on fairy tales.

·       In YA horror, ensemble characters who investigate haunted buildings/manors and discover hidden meanings/messages that reflect their own growth and navigation of self, bubblegum horror, gothic horror, exploration of themes relating to a “haunting” that can take place in the woods or burial ground, lovecraftian horror, monster horror, man-made horrors that pertain to environmentalism and body horror, the occult, quiet horror, and paranormal elements that are fresh and take a unique turn on the familiar mythos.

·       Contemporary Romance

Middle Grade:

Horror/Spooky, Cozy Fantasy: Give me all the studio Ghibli vibes and stories that comp The Lost Library by Rebecca Stead, The Girl Who Drank the Moon by Kelly Barnhill, and The Owl House; Fantasy, Mystery, Contemporary Fiction

Picture Books (Author/Illustrators only) 

Graphic Novels

Specific Genres that she’s looking for at the moment are: Fantasy, Horror, Speculative, blends of contemporary and cultural YA/Adult LGBTQ+ and #OwnVoices narratives.

HOW: Accepts submissions on Query Tracker. Follow her on Instagram

@katrinalemlit at @corvisierolit *Remember, Katrina will open on August 26th

 

 

 

 

Olivia Merick at Metamorphosis Literary Agency


WHO: Olivia Merick, Assistant Literary Agent at Metamorphosis Literary Agency – check her out on Instagram (but please don’t query there!) @oliviaemerickagent

WHEN: Open NOW

 

WHAT: Olivia likes Romance, Fantasy, Mythology, Dark Academia, Horror, Thriller, Dystopian. She wants well-developed characters with inique hobbies, interests/careers, layered backgrounds, fantastic world building, a combo of plot/character-driven storylines, strong character arcs, subtle foreshadowing, and more!On a niche level, she would love polyglots, characters with insomnia, embedded folklore, Shakespearean retellings, female rage, v ido games or chess, loosely based reimagining of historical eras, sisterhood themes, epistolary elements.

WHAT SHE DOESN’T WANT: No to graphic novels, literary fiction, magical realism, non-fiction, science fiction, short story collections, or picture books.

HOW: Accepts submissions on Query Tracker

Https://querytracker.et/query/oliviamerick

 

 

Keir Alekseii  at Jennifer Azantian Literary Agency

 


WHO:
Keir Alekseii is a Toronto-based literary agent with Jennifer Azantian Literary Agency

WHEN: Open September 1st (only for one week)

 

WHAT: MG, YA, and Adult. Keir specializes in Science Fiction, Fantasy, and Horror by marginalized voices. According to MSWL, Her favorite traits and tropes include:

  • Found family
  • Protags that are too smart for their own good
  • Stories about embracing your identity and finding your path
  • Stories that center BIPOC and queer happiness
  • Enemies to friends/unlikely friendships
  • Nonbinary MCs tasting power and choosing chaos
  • Grump & sunshine/stabby & cinnamon roll pairings
  • Femme villains corrupting cinnamon rolls/himbos
  • Non-white power couples/non-white love interests
  • Enemies to lovers & friends to lovers
  • Slow burn & second chance romance 

HOW: Accepts submissions on Query Tracker

LINK: https://querytracker.net/agent/13782


KEY

PB= Picture Book

MG= Middle Grade

YA = Young Adult

GN = Graphic Novel

NA = New Adult

Adult = Adult (could be fiction or nonfiction - see details)

MSWL = Manuscript Wish List


Sunday, August 23, 2026

5 Agents Who Are Open to Query Letters Right Now!


Literary agents open and close their query inboxes. That way they can catch up before they accept another round of submissions. Here is who is open now (and a couple who are closing in a few days)


SALLY KIM

WHEN: She’s open now!

WHAT: Here's her wish list

WHO: Sally Kim at Andrea Brown Literary Agency

WHAT: Authors or Author-Illustrators, children's fiction and nonfiction, middle grade novels, picture books, chapter books, graphic novels  (she's not the best fit for rhyming).

How: Query Tracker



KARLY DIZON, FUSE LITERARY

WHEN: *Dang! She just closed. Check back in September* I added Sally Kim above since Karly just closed. 

WHO: Karly Dizon of Fuse Literary (an agency founded in 2013)

WHAT: Karly represents picture books, middle grade, and young adult. She also wants non-fiction picture books that add the heart, soul, and story of fiction. I want the person, event, retelling to come to life. She’d also like Asian/African/Latin mythology retelling/twists to be told simply yet beautifully for the picture book market but also in more depth with adventure and turn-the-page tension for middle grade and young adult. Have a picture book that’ll make me laugh? Learn? Both? Yes, please. She wants more smart, ingenious kids who utilize STEM to tackle their problems/achieve their goals; a YA contemporary romcom, “Make me swoon, cry, and yell at the pages with all the depth and complexity that our young adults experience today.”; also do you have a MG or YA SFF—if so, it needs to have a strong voice from the first page with an immersive and captivating plot and world.

ABOUT FUSE LITERARY: Fuse Literary is a boutique, collaborative hybrid literary agency founded in 2013 (formerly known as Foreword Literary). It represents fiction and nonfiction authors and illustrators across all age groups, blending traditional publishing methods with digital media, self-publishing networks, and emerging technologies. What does hybrid mean? Beyond selling books to traditional publishers and handling subsidiary rights (film, foreign, audio), they connect clients with cover designers, publicists, and digital marketers.

WEBSITE: Although Karly represent PB-YA, other agents at Fuse Literary represent other genres. https://www.fuseliterary.com/about-fuse/

 

Jessica Berg Rosecliff Literary


When: Open Now

Who: Jessica Berg, founder of Rosecliff Literary represents adult fiction and nonfiction. No matter what you write and no matter who you plan to query, do yourself a favor and follow Jessica Berg on Instagram! Her advice on writing, submitting, creating a synopsis, etc. = spot on!

@jessica__berg

What: Jessica has wish lists for spooky season, for winter, etc. And she says to pay attention, because her cravings change. You can find her up-to-the-minute wish list on her Instagram. You can read the other not exactly up-to-the-minute details at MSWL.

How: Query Tracker https://querytracker.net/query/jessicaberg/

 


Haley Warrington: the Booker Albert Agency

WHEN: She posted that she is open now until August 31, 2026.

WHO: Hayley is a Junior Literary Agent at the Booker Albert Agency. What’s great about a junior agent is that you get to grow your careers together!

WHAT SHE REPRESENTS: YA-Adult. On Instagram, Haley noted, “I'd really like to get some YA fiction on my list.” Please query on Query Tracker if you are a YA author in the following genres, - YA Mystery/YA Thriller;  YA Fantasy; YA Romance; YA LGBTQ+; YA Horror!!  She also represents (but is more selective) Adult, NA, YA Romance, Historical Romance, Fantasy, Thriller, Paranormal, Horror, Mystery, Suspense, LGBTQ+. Others at her agency represents children's through adult fiction—focusing heavily on young adult (YA), middle grade (MG), sci-fi, fantasy, horror, women's fiction, and romance (including contemporary, historical, and small-town).

ABOUT: Haley can be found @hals.war on Instagram. She posts a lot of details about her taste and what she’s reading, so check it out!

Her agency is also on Instagram @bookeralbertagency and Founded in December 2012, the Booker Albert Agency is a hands-on agency, providing marketing and editorial advice, and we strongly believe in taking on clients for their whole career. We adhere to the AALA's canon of ethics. 

WHERE TO QUERY: Query Tracker: https://querytracker.net/query/QueryHaley

WEBSITE: Booker Albert Agency website is: https://www.thebookeralbertagency.com/our-agency.html

 

 

Sharon Belcastro: Belcastro Literary Agency

WHEN:  Now until …. Sharon has a fairly quick response rate. On Query Tracker it shows that she is responding in an average of five days! Most agents average of 8-12 weeks.

WHO: Sharon is the founder of Belcastro Literary Agency. One of my favorite quotes comes from her back in 2021 when she said, “As a female engineer I am looking for middle grade, YA and PB about girls in STEM.” Query Tracker just updated her openings to include picture books though I   don’t see that listed on her primary wish list unless perhaps nonfiction pb. On her current wish list, she has NONFICTION and YA Fantasy, Science Fiction, Action Adventure, Contemporary, Magical Realism, Mystery/Thrill, and Horror.

HOW: Query Tracker https://querytracker.net/agent/4921

 

Miriam Cortinovis at Ki Agency

Miriam Cortinovis at Ki Agency (Miriam goes by @chamomeriam on Instagram) says they are currently OPEN to queries. The Ki Agency was founded in 2011. They are a boutique London-based literary and scriptwriting agency founded in 2011 by Managing Director Meg Davis (they are not currently open to scriptwriters). It represents authors across publishing, TV, film, theatre, and multi-media, focusing strongly on genre fiction and speculative works.

FAQ:   Does it matter if you live in a different country than your agent.

            No.

MIRIAM’S TASTE: In fiction: BIPOC Literature, Fantasy, LGBTQ, Middle Grade, Science Fiction, Young Adult. “Miriam defines themself an omnivore in regard to Science Fiction and Fantasy, never turning down an original unique piece with a strong voice—so never say never! That being said, a speculative element is required, even if abstract/literary. Miriam also enjoys representing most age targets, from Middle Grade and up to Young Adult (for which they also accept contemporary works without a speculative element) and Adult. To browse a visual MSWL you can visit this Instagram post, while for a more detailed one you can follow this link.”

Complete details at MSWL.

Where to Query: Query Tracker (she has a fast – 23-day average response rate!)

You’ll prepare and post on Query Tracker your first 10 pages, letter, and synopsis using https://QueryTracker.net/query/miriamc. According to their website, Ki Agency is a dynamic literary agency providing management for writers in all media and most genres. They also say, “The Ki Agency is a boutique literary and scriptwriting agency with a focus on genre fiction.”

ABOUT: “Born and raised in Italy, Miriam Cortinovis (they/she) moved to Chicago as a teenager and has since earned a BA in Creative Writing and an MA in Writing & Publishing from DePaul University. After more than a year agenting at ArtHouse Literary (USA), they joined the amazing team at the Ki Agency in 2025, continuing to expand and support their list in everything and anything speculative.”

About the Ki Agency: www.ki-agency.co.uk

 

 KEY

PB= Picture Book

MG= Middle Grade

YA = Young Adult

GN = Graphic Novel

NA = New Adult

MSWL = Manuscript Wish List

 

Saturday, December 30, 2023

11 Mistakes to Avoid When Querying a Literary Agent

Congratulations! You’ve completed and polished your manuscript. You’ve written your three-part query letter. Now, here are a few things not to do—no matter how tempted you are. Why? Because publishing is a business, and you want to showcase yourself as a professional.

 

11 Mistakes to Avoid When Query a Literary Agent by Kim Tomsic


 

1.     Don’t tell the agent that your mom, sister, classroom, and neighbor LOVED your book.

2.     Don’t call your manuscript a fiction novel (that’s like calling it a story story or a book story).

3.     Don’t submit to multiple agents WITHIN the same agency (but do send to your top five or ten agents at one time. Almost nobody expects an exclusive submission unless you’ve had that conversation).

4.     Don’t forget to ask your critique group to review it.

5.     Don’t pack your letter in an envelope and mail a query to a "green" office (and certainly don’t include rainbows and glitter!). Most agents only accept emailed submissions or online forms. Read their agency guidelines.

6.     Don’t skip the submission guidelines – notice if you are supposed to paste your manuscript pages within the body of the email, or if you are supposed to attach it as a Word Document. Don’t add attachments UNLESS the agent says they prefer to receive submissions that way.

7.     Don’t send a “Dear Sir or Madam” email and then email ten agents on the same outgoing message. Not only is it unprofessional and lacks the personal touch, but your email might also filter to their trash as spam. Avoid getting filtered as spam by refraining from adding special do-dads and gifs.

8.     Don’t misspell a name and please don't say "Dear Agent." Remember, address the letter to their name, spell it correctly, and let them know why you personally selected them.

9.     Don’t query an agent with a picture book manuscript if they only accept YA. Read their #MSWL

10.  Don’t query if they are closed to queries.

11.  Don’t query too soon. Slow down and make sure your manuscript is polished.

12.  Don’t worry! Be professional and let your writing do the talking.

Wednesday, February 15, 2012

How to Write a Synopsis: Advice from Industry Experts


Notes for Crafting a Winning Synopsis from Industry Experts:



Congratulations! You’ve written your 75,000 word master piece. Now in order to present it to industry professionals in a concise, enticing and engaging manner, you must par down your novel to one one-hundreth of its original size; approximately 750 words or less. There are many conflicting resources on formatting a synopsis, but the elements that are needed to compose a winning synopsis are agreed upon across party lines. Here’s my take on how to make sure you hit the highlights and other important facts.



WHAT TO INCLUDE IN YOUR SYNOPSIS: Make sure your synopsis covers the beginning, middle and the ending of your book. Don’t save your ending as a surprise. 2012 Children’s Writer’s & Illustrator’s Market a.k.a. CWIM (edited by Chuck Sambuchino) advises to make sure your synopsis includes hook, plot, theme, characterization, setting, conflict and resolution. The Writer’s Digest Guide to Query Letters by Wendy Burt-Thomas advises a synopsis should include “your book’s content, structure, tone and design if needed.” Furthermore Burt-Thomas says to “start your synopsis strong immediately, then fill in the details later.”

            The Fiction Writer’s Connection website has a great checklist for your synopsis. The list includes questions like:  Does your opening paragraph have a hook? Are your main character’s conflicts clearly defined? Have you hit your major themes and major plot points, and did you show how the conflict was resolved in the end?

            The Vivian Beck Agency also advises to start with a hook, and after you introduce your main character, they say to unveil your main character’s CONFLICT, MOTIVATION, and GOALS. The Body of your synopsis should include an ACTION, REACTION, and DECISION (check for these elements to suss out if you have an active or a passive main character).  Don’t forget to include the crisis and resolution to your story.

            Nathan Bransford (a one-time agent with Curtis Brown, and now published writer) says that a synopsis is not the time to detail every character in your story.  He says, “[a synopsis] needs to make the work come alive. If your synopsis reads like "and then this happened and then this happened" and it's confusing and dull, well, you might want to revise that baby.”

In regard to length, Nathan advises two to three pages, double spaced unless submission guidelines ask for something different.





CONFIRM THAT YOUR MAIN CHARACTER ISN’T A PINBALL: Read your synopsis and decide if your main character is responding to events, bouncing around like a pinball tossed in one precarious (perhaps exciting) direction after another, or if you’re main guy is driving the action. If he’s a pinball, then no matter how exciting the events may be, your guy is passive and that is not what the industry wants.

            Mary Kole from the Andrea Brown Agency often offers pitch-slam events at the conferences she attends. In a sit-down interview I enjoyed with Mary Kole at the SCBWI conference in Los Angeles, she offered a pearl of wisdom: make sure your main character is ACTIVE vs. PASSIVE. The advice seems obvious, yet so many writers have things happening to their main character vs. having the protagonist drive the story forward.



FORMATTING:  CWIM 2012 (Writer’s Digest Books) says to include your genre and word count on the upper right side, and your name, address, phone number and email address on the left side. Your title goes in all-caps in the center

Example:



First Last                                                                               Historical Fiction
1234 address                                                                           50,000 Words
City, State Zip
(303) 111-2222



MY FABULOUS BOOK TITLE HERE



Other formatting advice includes:

  • Don’t number your first page; begin numbering on second page;
  • Double space all text ,and use 12 point Times Roman with one-inch margins
  • Second page header is formatted like so: Your name/TITLE IN CAPS/Synopsis     2
  • The first time you introduce a character in the synopsis, have their name appear in all-caps (with normal formatting to follow);
  • And **open with a great hook and inciting incident.
  • Size-I keep hearing, “the briefer the better, but all elements must be there to sell your story.”  Guide to Query Letters  by Wendy Burt-Thomas says it’s typically one to two pages. 2012 Children’s Writer’s & Illustrator’s Market a.k.a. CWIM (edited by Chuck Sambuchino) has a glossary where synopsis is defined as “a page to a page and a half if single spaced” (odd definition since they also advise to double space your synopsis).
  • Write your synopsis in present tense
  • Use 12 point Times Roman

  

SYNOPSIS VS. QUERY: Make sure you know the difference between a synopsis and a query. A query letter is a single page, three paragraph letter that is meant to hook the reader into asking for more. The three paragraphs include The Book, The Hook, and The Cook. (1) Paragraph One: The book tells the title, the word count, and the genre. (2) The hook includes your logline and a few lines about your story (similar to what you might read on the jacketflap of a book). It does not tell your whole story.  (3) Paragraph Three: The cook is a paragraph about you, where you went to school, and any writing credentials you may have.

            The Synopsis, unlike your query, tells your entire story (beginning, middle, and end). The length of your synopsis will depend on agents/editors submission guidelines. You should practice writing a short, one page synopsis as well as a long, three to five page synopsis.



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