Welcome!

Welcome to the Bookshelf Detective, a site for readers and writers of children's literature. Thank you for visiting, and please let me know how this blog served you.
Cheers,
Kim Tomsic

Tuesday, July 19, 2016

SCBWI Unofficial Scavenger Hunt

Unofficial SCBWI Scavenger Hunt!


How would you like to show up to LA16SCBWI and and win cocktails, conversation, and a critique with Chronicle editor Melissa Manlove? In 2011, I attend the SCBWI summer conference in Los Angeles and noticed an underground scavenger hunt in the works—it was to take place during the Saturday night gala. I quickly formed a team made up of strangers (which ended up being a fast and fun way to make friends). We had a blast working the scavenger hunt, but the best part was winning—we earned a private cocktail party and pitch session with Chronicle Books editor Melissa Manlove. In that hour and a half of sipping lemon drop martinis, Melissa generously shared her knowledge and offered constructive feedback. I learned more about my story and writing than I'd ever understood before. Now I can proudly announce I have two picture book deals with Melissa and Chronicle Books and also...oh, I can't tell you the "also" right now, but here's what you need to know—I am certain that the scavenger hunt was the spark that ignited my writing career. 

It is with great enthusiasm that I say YOU can have the exact same opportunity if you are attending this year’s SCBWI sold-out conference taking place this month in Los Angeles, July 2016.


WHAT:
Unofficial SCBWI Scavenger Hunt! #SCBWIscavenger  (tweet with hashtag #SCBWIscavenger) and/or #LA16SCBWI 

HOW:
On Saturday by 4:30pm, the following will be hidden around the hotel:
a.      small plastic eggs containing scrabble titles
b.      a selection of unusual objects
c.      the indubitable Martha Flynn, who will be the keeper of four blank scrabble tiles (first four teams to find Martha secure a coveted blank tile!)

Please see Melissa Manlove’s Instagram account for photos of the unusual objects and Martha Flynn—the photos will all be posted at 4:30 pm on Saturday. Between that time and 12:00 noon on Sunday, teams will find all they can, and then spell the best word or phrase possible with the scrabble tiles they’ve collected. Post a photo of your team’s word plus any of the unusual objects you find to Instagram and tag Melissa Manlove—you must post your photo to Instagram by 12:00 noon on Sunday and remember to tag to Melissa Manlove!

Important Note: The eggs and objects will be hidden in plain sight, in public areas of the hotel. It will not be necessary to move hotel furniture or decorations to find them, or to step into areas not meant for foot traffic. Please stay respectful of the hotel’s property and tidiness while searching for them.

WHO:
Anyone attending SCBWI LA16. You may form teams with a group size of 6 or fewer people.

WHERE:
The Biltmore Hotel—particularly (but not limited to) the Red Carpet Ball

WHEN:
4:30 pm Saturday July 30th – 12:00 noon Sunday July 31st

Is it worth it...oh yes!!!!!!!!!!! 
THE WINNING TEAM:
Melissa will post the results on instagram.
"The winner will be determined by an utterly subjective and seat-of-my-pants assessment of the team submissions. Having collected objects will likely tip the scales if I am torn between two words/phrases, but the words/phrases themselves, as exhibiting the team’s creativity, will be the primary point of judgement."

**Each team should share this post to their social media to be considered good sportsman**.

PRIZE:
Winners will meet in the bar on Sunday at 4:30 pm for cocktails with Chronicle editor Melissa Manlove (!!!!!!). The winning team has the option to make the cocktail hour into an impromptu critique group with feedback from Melissa—if your team chooses this, each team member should bring up to 5 pages of a work, and enough copies for everyone.



Wednesday, July 13, 2016

Top Five Reasons Reading Prepares you for a Rich Conference Experience


Top Five Reasons Reading Prepares you for a Rich Conference Experience
by Kim Tomsic


If you’re planning to attend a local event, regional gathering, or even the yearly international conference, I strongly urge you to READ! If you read the faculty members’ books prior to the event, I PROMISE—you’ll get more bang for your buck!

Reading books in advance is a great way to connect with keynote speeches, breakout sessions and fellow attendees. Read as much as possible—this means the books you read shouldn’t be limited to those written by the authors on the faculty—you should read agent-client books, too. These are books written by authors who are represented by agents at the conference. This is a great vetting practice, especially if you think you would like that agent to represent you. Furthermore, read books the editors on the faculty have worked on; then when you land in an elevator or at the cocktail party with said editor, you have an authentic conversation opener.

I’ve been to three regional conferences, two Big Sur events, and five international conferences. Every year, I’m thankful I did my self-imposed homework—it's worth the effort. 



Here are the top five reasons reading books written/edited/or agented by conference faculty will give you a RICHER, MORE TEXTURED conference experience:

Mem Fox reading to the audience! 
1.      You enjoy keynotes on a deeper level, because you’ve already crawled inside the author’s
head. Instead of looking at a stranger at the podium, you’ll feel like you’re listening to a friend. When a speaker refers to their book in a keynote or break-out session, you’ll be connected and understand the “inside” jokes and references. Do you have to read books before coming—No. Do the speeches feel more engaging and meaningful if you do—Absolutely, Yes!

2.      You have conversation starters and a better opportunity to connect with the faculty, not to mention connecting with fellow attendees. I can't tell you how many times I've turned a stranger into a friend, sharing the mutual excitement of discussing who’s speaking next and his/her amazing book or illustrations.
Reading your way to lasting friendships!
3.      You look like a professional. Reading the work of relevant speakers shows that you care about what’s happening in the publishing industry. Furthermore, it’s a great way to vet which publishing professionals are a good fit for you.

4.      You get exposed to books and genres you may not have considered—this helps rev-up the creative juices, and perhaps your own work will benefit.

5.      And finally, great writers are readers first!

BIO
Kim with her agent Jen Rofe
Kim Tomsic is a reader and writer of children’s literature. She practices what she preaches—prior to querying Jen Rofé of the Andrea Brown Literary Agency, Kim first read books by Jen’s clients: Crystal Allen, Kathryn Fitzmaurice and Meg Medina to name a few. Kim’s debut book THE ELEPHANTS CAME comes out with Chronicle Books (editor Melissa Manlove) in 2018. Her next book GUITAR HERO (Chronicle Books) releases in spring 2019.
landing her fabulous agent,

***Bonus update: Would you like to sit down for cocktails, conversation and a critique with Chronicle Books editor, Melissa Manlove at this year's LA16SCBWI?  Following this link to learn how: Click Here

Wednesday, June 29, 2016

Confessions of a Conference Junkie

Confessions of a Conference Junkie
Jerilyn Patterson
A guest post by Jerilyn Patterson

I became hooked on writer’s conferences after attending my first one in 2010. Now, I attend an average of three per year, and I always look forward to the wealth of knowledge they provide, the encouraging community, and the opportunity to meet interesting authors and industry professionals. Over the years I’ve honed some strategies for making the most out of my conference experience. Read on for my tips!

Focus on Craft

First and foremost, I go to conferences to learn. When I consider the accumulative experience of everyone in attendance, including fellow writers as well as faculty members, conference tuition is a steal. I try to absorb every single drop of information and take nothing for granted.

Before going, I reflect on the specific areas of my craft I want to improve, and then peruse the conference schedule in search any sessions and keynotes relating to that. While most conferences don’t require advance registration for specific break-out sessions, I prefer to have a game-plan from the get-go, instead of leaving all the decision-making until I’m standing in the crowded lobby of a potentially unfamiliar place.

While there, I take copious notes like I’m back in college and yes, everything will be on the final exam. I read somewhere that information is best absorbed when taking notes by hand, and I’ve found this to be true. I bring a shiny new notebook, stock up on my favorite pens,
and keep a bottle of ibuprofen ready to alleviate any hand cramps.

When I get home after the conference, I type out all my notes and save them in a file on my computer. This might seem extreme—why don’t I just use my laptop for note-taking at the conference to eliminate the extra step? Because typing them forces me to revisit what I’ve learned, which helps gel all that new information. After my last conference I ended up with seventeen single-spaced pages, and that was just for the first day! (I’m still working on transcribing day two.)

Cultivating Community

Throughout my years attending conferences, I’ve discovered an invaluable community that cheers me on and buoys me up. Yet I’ll admit that’s the last thing I expected when I stepped into my first conference. I was a brand-new, baby writer with nothing more than an intriguing idea and a can-do attitude and I had my game face on. My background is in music, a highly competitive field—even MORE so than writing, believe it or not! I expected everyone in the room to size me up and make snap judgments about my skills based on my outfit and hair-do. That had been my experience in the music industry, and I assumed writing wouldn’t be any different.

Nothing was farther from the truth. Everyone I talked to was warm and welcoming. I met new writers like myself who were eager to make friends, and veteran writers who were incredibly generous about sharing their wealth of knowledge. I left that conference with profound gratitude that I had finally found My People.

If you’re attending a conference for the first time, discovering your own community might seem daunting, especially if you’re an introvert like me. The good news is, every single person in attendance has something in common with you: Writing! Most will welcome the chance to talk about their latest project, their favorite books, or how their pitch session or manuscript consultation went. Don’t be afraid to reach out. And remember that while not everyone you encounter will become your BFF, everyone is a colleague. The children’s writing community is small and you never know who you’ll end up sitting with on a panel someday.

Connecting with Professionals—AKA Agents and Editors are people, too!

While I value craft and community immensely, I’d be lying if I didn’t admit I also hope to someday make a connection with my future dream agent or editor. I know I’m not the only one—in my role as registrar for the Rocky Mountain Chapter of SCBWI, I often receive inquiries about appropriate behavior when approaching industry professionals.

My first strategy is to sign up for a manuscript consultation or pitch session. Not only do these offerings allow for an authentic reason to talk with an agent or editor, they also provide invaluable feedback from individuals who have made a career of selling books.

In casual settings, my rule in approaching industry professionals is to remember they are people too and to put myself in their shoes. Would I prefer a stranger to walk up and start pitching out of the blue while I’m enjoying my lunch? Or would I instead want a writer to introduce themselves respectfully and maybe even chat about the latest Captain America movie? Option B hands down! Sometimes the conversation will naturally progress to what I’m working on. If not, I don’t fret and remember I’ve made a positive connection.

Or not. There was that one time on the last day of a conference when I rode down an elevator with a Very Big Editor from a Very Big Publishing House. Though the editor had sat on many panels throughout the weekend, I didn’t recognize them. Assuming the editor was a writer like me, I asked how long they’d been writing and if this was their first conference. I received a lifted eyebrow in response, noticed their nametag, and flushed bright red. I certainly left an impression! If something similarly embarrassing happens to you, laugh and move on. Agents and editors know that we’re people too.


If you’re thinking about attending a conference, give it a try! With a little preparation and a genuine interest in meeting and making friends with other writers and publishing professionals, you, too, can become a conference junkie.

***Bonus update: Would you like to sit down for cocktails, conversation and a critique with Chronicle Books editor, Melissa Manlove at this year's LA16SCBWI?  Following this link to learn how: Click Here

Jerilyn Patterson has been writing almost since she could talk. No joke--she dictated her first journal entry to her mother when she was four years old. Eventually she learned how to hold her own pen and years later she's still keeping a journal. She also writes young adult fiction and serves as registrar for the Rocky Mountain Chapter of SCBWI. A native of Colorado, she lives on the front range with her family and two neurotic gerbils. You can find her on twitter, (@jerwrites)  occasionally tweeting about writing, legos, kickboxing or whatever else strikes her fancy. 

Wednesday, June 15, 2016

Fast Five: An Interview with Author Richard Peck

Fast Five with Richard Peck

by Kim Tomsic

It’s no secret I have been a longtime fan of Richard Peck—the author, the word wizard, the genius. Imagine my joy when the man who has been the single biggest influence in my writing career agreed to a phone interview! Here's how it went:

KT— As you know, I’m your biggest fan. In 2009, I decided to pursue a writing career, because I ran out of your books, and I craved more Richard Peck style tales to read to my son.  What/who influenced you to become a writer?
Answer: “Mark Twain.” When Peck was in fourth grade, his teacher gave him a copy of ADVENTURES OF HUCKLEBERRY FINN. Peck “knew that’s where [he] wanted to be.” Furthermore, Mark Twain was from his part of the country, Decatur Illinois, and seeing someone who was like him and from his area helped paint the possibility of becoming an author in young Richard’s mind. He wanted to be “words on the page,” and yet he waited—he studied literature, became a teacher, and when was 37 years old he wrote his first book. Why?  "To fill a need." He couldn’t find a book to satisfy the needs of his high school students (a contemporary story that reflected them), and so in 1971 he wrote DON’T LOOK AND IT WON’T HURT (it was later turned into a movie called Gas/Food/Lodging.)

KT—Mr. Peck, you possess the magical ability to write humor and heart in a story—I’m laughing, I’m crying, I’m buying your books for my friends. Your characters are real and fleshed out, so here’s my FREAKY FRIDAY question:  If you had to switch places for a weekend with one of your characters, who would it be and why?
With an air of whimsy, Mr. Peck said he would be Joey from A LONG WAY FROM CHICAGO, because Joey’s Grandma Dowdel is the grandma he always wishes he’d had. Very much like grandma Dowdel, Peck’s own grandma was six-foot plus, with a shock of white hair, and she wore Lane Bryant dresses. But unlike his own grandmother, Grandma Dowdel was nice. He said, “When we write as authors we don't write about our family, we write about the family we might have had.”

KT—At an event where I heard you speak, you talked about “first chapters” and how you rewrite your first chapter many times and still again after you’ve completed your manuscript. My biggest take-away was your statement, “The first page of a book is a promise to the reader.” You also said, “The first page is the last page in disguise.” What other elements do you believe make a successful first page?
Mr. Peck said authors often start in the wrong place. We need to find a place “to start nearer to the action. Hit the ground running. Don't start too early and don't wander around.” He also said, “The first page is the table of contents for your story. It has every element of the book; the reader just doesn't know it yet.”

KT—HABITS:  I look forward to reading your newest upper grade novel THE BEST MAN (Dial Books, September 20, 2016). First, I must know--did you write it on your electric typewriter?

RP: “Yes! I have to feel that page in my hands.” 

KT—Awesome. I remember hearing you say you type out your first page, pull out the paper, write notes all over it, and then when you can’t find any additional writing space (or you can no longer read your own writing) you start over—and you do this at least six times! Then when you get to the end of your manuscript, you return to the first page and write it again from scratch. What other writing habits do you have?
 Mr. Peck says that after he’s rewritten the first chapter six times and rewrites the tightest first page possible, he forces himself to remove twenty words from his first page. Twenty words, people!  The aspect Peck loves most about writing is dialogue. He says "A novel is conversation overheard.” His method for making dialogue lively is practicing his dialogue away from his desk. He also practices it standing up! He rehearses the lines and then acts them out with full movement,as if he’s in a play. If something strikes him, he rushes to his desk, types it on his IBM Selectric, and then his one-man show continues until the dialogue is electrified and alive.

KT—INSIDER INFORMATION: What is a little-known fact about you?
little-known fact is that Richard Peck was a soldier during the war. Because he could type like the wind, he was assigned to be the chaplain’s assistant and part of his job as the chaplain’s assistant was to interview American soldiers who wanted to marry German brides. In the course of the interviews he would get to know the bride and groom and was often asked to serve as best man. The groom always buys the best man a present, so at the end of the war, Richard Peck was probably the only soldier who came home with 37 pairs of new cuff links!

Meet Richard Peck! 

Richard Peck will be a keynote speaker at the RMC SCBWI Letters and Lines Fall Conference September 17-19, 2016. He will also do a reading and signing of his latest book THE BEST MAN (Dial Books, September 2016) at Tattered Cover in Denver on September 20, 2016. THE BEST MAN has received a starred review from Kirkus, from Publisher's Weekly, from the Horn Book and others!


ABOUT THE BEST MAN from  the Penguine Random House website:
Newbery Medalist Richard Peck tells a story of small-town life, gay marriage, and everyday heroes in this novel for fans of Gary Schmidt and Jack Gantos

Archer Magill has spent a lively five years of grade school with one eye out in search of grown-up role models. Three of the best are his grandpa, the great architect; his dad, the great vintage car customizer; and his uncle Paul, who is just plain great. These are the three he wants to be. Along the way he finds a fourth—Mr. McLeod, a teacher. In fact, the first male teacher in the history of the school.

But now here comes middle school and puberty. Change. Archer wonders how much change has to happen before his voice does. He doesn’t see too far ahead, so every day or so a startling revelation breaks over him. Then a really big one when he’s the best man at the wedding of two of his role models. But that gets ahead of the story.

In pages that ripple with laughter, there’s a teardrop here and there. And more than a few insights about the bewildering world of adults, made by a boy on his way to being the best man he can be.
Hardcover
Published by Dial Books
Sep 20, 2016 | 240 Pages | 5-1/2 x 8-1/4 | Middle Grade (8-12)| ISBN 9780803738393

Saturday, May 21, 2016

SCBWI Crystal Kite Winners 2016

THE SOCIETY OF CHILDREN'S BOOK WRITERS AND ILLUSTRATORS Announces the winners of the annual  
CRYSTAL KITE MEMBER CHOICE AWARDS 
The SCBWI is excited to announce the winners of the 2016 Crystal Kite Member Choice Awards for the fifteen regional divisions:

Atlantic (Pennsylvania/Delaware/New Jersey/Wash DC/Virginia/West Virginia/Maryland)
Laurie Wallmark, illustrated by April Chu - Ada Byron Lovelace and the Thinking Machine (Creston Books)
Australia/New Zealand


California/Hawaii








Canada


International Other

(Kansas/Louisiana/Arkansas/Tennessee/Kentucky/Missouri/Mississippi)

Middle East/India/Asia












New England (Maine/Vermont/New Hampshire/Connecticut/Massachusetts/Rhode Island)
Lynda Mullaly Hunt Fish in a Tree (Nancy Paulsen Books)


New York

Southeast (Florida/Georgia/South Carolina/North Carolina/Alabama)
Rob Sanders, illustrated by Brian Won - Outer Space Bedtime Race (Random House)

Southwest (Nevada/Arizona/Utah/Colorado/Wyoming/New Mexico)

(Side note from blogger...take a look at the starred review from Kirkus regarding Melanie Crowder's AUDACITY:
KIRKUS REVIEW
A novel in verse featuring the real-life Clara Lemlich, a courageous, tenacious warrior for workers’ rights in turn-of-the-20th-century New York City.
Newly arrived in New York from Russia, she finds employment in a sweatshop, where young immigrant girls toil in dangerous conditions, cheated and harassed by bosses, earning pennies for long hours of work. Sacrificing her dream of an education and in spite of her family’s dire economic straits, she devotes her energy to supporting these girls, fighting for the inclusion of women in the all-male garment union and winning them their own local. She organizes strikes against individual sweatshops and leads the Uprising of the 20,000, during which she and the other young women strikers are repeatedly beaten by police and hired thugs, arrested and jailed. From her constricted life in a Russian shtetl and difficult journey to America to the choices she makes in her new life, readers hear Clara’s strong, clear voice in action-packed verses that convey with intense emotion her conflicts and conviction, her deepest thoughts, and her doubts and triumphs. Crowder breathes life into a world long past and provides insight into the achievements of one determined woman who knows she will “give / without the thought / of ever getting back, / to ease the suffering of others. / That, / I think, / I will be doing / the rest of my life.”Compelling, powerful and unforgettable. (historical note, interview, glossary, sources) (Historical fiction/poetry. 12-18)
Texas/Oklahoma

UK/Ireland




West (Washington/Oregon/Alaska/Idaho/Montana/North Dakota/South Dakota)


The SCBWI would also like to thank Christopher Cheng, the International Awards Coordinator for all his help and hard work with the Crystal Kite Awards.

About the Crystal Kite Awards
The Crystal Kite Awards are given by the Society of Children’s Book Writers and Illustrators to recognize great books from the seventy SCBWI regions around the world.  Along with the SCBWI Golden Kite Awards, the Crystal Kite Awards are chosen by other children’s book writers and illustrators, making them the only peer-given awards in publishing for young readers.

About SCBWI
Founded in 1971, the Society of Children’s Book Writers and Illustrators is one of the largest existing writers’ and illustrators’ organizations, with over 22,000 members worldwide. It is the only organization specifically for those working in the fields of children’s literature, magazines, film, television, and multimedia. The organization was founded by Stephen Mooser (President) and Lin Oliver (Executive Director), both of whom are well-published children’s book authors and leaders in the world of children’s literature.  For more information about the Crystal Kite Award, please visit www.scbwi.org, and click “Awards & Grants.”


Thursday, April 28, 2016

Students: Learn More About Children's Publishing


Students: Learn More About Children's Publishing 
With Help From SCBWI
Picture Books    Young Adult    Middle Grade   Nonfiction   Graphic Novels
The Society of Children's Book Writers and Illustrators is the only professional organization specifically for those individuals writing and illustrating for children and young adults in the fields of children's literature, magazines, film, television, and multimedia. 

We're here to help students of library science and information management learn more about the authors, illustrators and publishing industry around children's books. SCBWI is a great resource for information about children's book publishing.

Our mission is to support the creation and availability of quality children's books around the world. The SCBWI accomplishes this by fostering a vibrant community of individuals who bring books for young readers to the public; membership includes writers, illustrators, translators, editors, publishers, agents, librarians, educators, booksellers, bloggers, enthusiasts and others. 
Member Benefits:
  • Digital versions of member content (quarterly magazine, exclusive monthly newsletter, FAQ videos)
  • Student discounts on member events
  • Online critique groups for illustrators and writers
  • Grants and awards for writers and illustrators
  • Online student discussion group
  • Networking opportunities with publishing professionals
  • Display space in the online Illustrator Gallery
  • Book Launch Party Page
Eligibility Requirements:
  • Must be 18 years old or older to join
  • Full-time undergraduate or graduate student at an accredited university - domestic or international
  • Copy of current student ID must be submitted for verification 

Special Student Rate: $65/join 
 $55/renew

To join, or for more details, students should go to scbwi.org/join
SCBWI scbwi.org